New Quizzes: Enhancing Online Assessment in Canvas

Looking to refresh your assessments in Canvas? New Quizzes is the platform’s next-generation tool, designed to make building and delivering quizzes more flexible, interactive, and insightful—and it’s a feature option you can enable right within your course. With new question types like categorization and stimulus-based prompts, plus cleaner workflows and improved analytics, it opens up new possibilities for engaging students and understanding their learning.

If you’re used to Classic Quizzes, you’ll find New Quizzes feels familiar—but with more room to experiment. Classic Quizzes is still a solid, straightforward option, and contains features like anonymous surveys that are still missing in New Quizzes, but New Quizzes is where Canvas is investing for the future. If you’re curious about new ways to design assessments or want deeper insight into student performance, it’s definitely worth turning it on and giving it a try. Contact Brandon Bucy or Helen MacDermott with your New Quizzes questions (or really any of your Canvas questions!).

The Spring 2026 Read-In! A Time to Unplug and Dive In

 

Graphic with stylized, hand-drawn text reading "Let’s READ Together" centered on a navy blue background. A small stack of colorful books sits in the bottom right corner, surrounded by abstract, organic shapes in vibrant orange and yellow. The background features a subtle white speckled texture.

Life at Washington and Lee University moves quickly. The constant stream of meetings, classes, emails, deadlines, and assignments, along with the steady pull of our devices’ notifications and feeds, have many of us—students, faculty, and staff alike—existing in an intellectually splintered state.

This initiative radically responds to our frayed concentration by creating a space and time for the wider community to unplug and dive into reading together across the campus. To support this intentional pause, dedicated spaces have been reserved across campus, and refreshments will be offered from 10 am – 1 pm on Friday, April 3.

We invite any interested faculty, staff, and students to join a community of readers who refuse the fast flow of information in favor of the slower rhythms of thinking and reflecting. We encourage you to leave your distracting devices behind, grab a book, article, essay, or any long text in which you’d love to get lost.

Print or electronic readers, as well as technology needed for accessibility, count towards the goal, which is to allow our brains to breathe without distraction. If you need help finding something to read, browse the book displays on Leyburn Library’s main floor or the University Library’s Curated Collections for fiction and nonfiction chosen by current and former students.

The spirit of these spaces is to rediscover the focus and shared presence that deep reading makes possible. We invite you to slip away from email, social media, and other distractions to enjoy reading in community with friends and colleagues on campus.

Participating Locations on Friday, April 3 (10 am – 1 pm)

Burtynsky Exhibition – Reeves Museum of Ceramics (through April 18)

The exhibition “Taking Place” by Edward Burtynsky offers a visually striking environment for reflective reading. Surrounded by Burtynsky’s monumental aerial photographs of landscapes transformed by human industry, readers are invited to slow down and spend time with essays, environmental writing, or poetry that explores our relationship to land, labor, and technology.

Gallery spaces naturally encourage quiet attention and slow looking, making the museum an ideal setting for deep reading followed by reflective conversation with others in the room. The museum’s collections span ceramics and art from cultures across the globe, advancing learning through direct engagement with works of art.

Contact: Jessica Wager
Email: wagerj@wlu.edu

Takadiwa Exhibition – Watson Galleries (through May 31)

The exhibition by Zimbabwean artist Moffat Takadiwa provides another compelling setting for reflective engagement. Takadiwa’s sculptural works—created from reclaimed materials such as bottle caps and keyboard keys—invite reflection on consumption, labor, and global exchange.

Readers might bring essays, short stories, or criticism that explore themes of sustainability, material culture, or global systems. The gallery environment encourages visitors to alternate between quiet reading, attentive looking, and small-group conversation, allowing the artworks and texts to deepen one another.

Contact: Jessica Wager
Email: wagerj@wlu.edu

Mason Taylor New Room – Payne Hall

Located in the English Department’s home in Payne Hall, the Mason Taylor New Room offers a comfortable and welcoming space ideal for small reading circles. With chairs arranged for conversation, this room is well suited to readers who want to share passages, reflections, or questions emerging from their texts. Tea may be available to support a relaxed, reflective atmosphere.

Contact: Holly Pickett
Email: picketth@wlu.edu

Reading Tables in the Libraries and the Harte Center

Leyburn Library
Telford Science Library
Law School Library in Lewis Hall
Harte Center for Teaching and Learning

The university’s libraries provide a range of environments for slow reading. The main floors of Leyburn and Telford libraries offer comfortable seating and a lively study atmosphere, while quieter floors allow readers to settle into deeper focus. Located in Lewis Hall, the Washington and Lee Law Library offers one of the most focused reading environments on campus. With spacious reading rooms, long study tables, and abundant natural light, the library naturally encourages sustained attention and quiet engagement with texts.

For the Read-In, participants are invited to bring books, essays, or articles and settle into the calm atmosphere of the main reading spaces. Readers can also browse the book displays on Leyburn Library’s main floor or the University Library’s Curated Collections, for fiction and nonfiction chosen by current and former students.

Contact: K.T. Vaughan or JT Torres
Email: kvaughan@wlu.edu; JTorres@wlu.edu

First Floor Living Room – Hopkins House

The Hopkins House living room is a welcoming, house-style campus building that hosts several collaborative programs at Washington and Lee University, including the Office of Community-Based Learning and spaces connected to the university’s entrepreneurship initiatives.

Contact: Sascha Goluboff
Email: GoluboffS@wlu.edu

Commons 216 – Elrod Commons

Accessible via the spiral staircase or elevator in Elrod Commons, Commons 216 offers a quiet, comfortable room with tables, chairs, and couches. This space works well for readers who want a relaxed environment to settle into a book while remaining connected to the energy of the student center.

Contact: Zachary Funkhouser
Email: zfunkhouser@wlu.edu

Gallery Space – Washington Hall

The gallery space in Washington Hall can serve as a tech-free reading environment to gather around texts of shared interest. By intentionally setting aside phones and laptops, readers can immerse themselves in printed texts and enjoy the rare experience of sustained focus.

Contact: Matt Davis
Email: historymuseum@wlu.edu

Mattingly House – Living Room

The living room in Mattingly House offers a comfortable, home-like setting that invites readers to slow down and settle into a good book. With soft seating and a relaxed atmosphere, the space offers a calm, device-free environment. The space supports both individual reading and occasional conversation, allowing readers to share passages or reflections that stand out.

Contact: Melissa Kerin
Email: kerinm@wlu.edu

Let Us Know You’re Coming

Please drop us a message here letting us know if you intend to read with us on April 3rd. You can also tell us what you hope to read or ended up reading so we can recommend it to others!

Roll Call: Taking Attendance with Canvas

Attention faculty: are you looking for a way to manage attendance in your classes? The Roll Call Attendance tool in Canvas provides instructors with a simple way to track student attendance directly within your course site. With just a few clicks, faculty can mark students as present, absent, or late for each class meeting. The tool automatically records attendance and can calculate a running attendance score that appears in the course gradebook if you choose to use it. Because it is built directly into Canvas, Roll Call Attendance helps streamline record-keeping and makes it easy for you to monitor participation and identify patterns in student attendance throughout the term.

Want to learn more? Need assistance activating Roll Call Attendance in your course? Contact Brandon Bucy today!

What’s Really Real: Teaching Critical Inquiry Through the History of Synthetic Media

In an era of deepfakes and generative AI, the question of “what’s real” has never felt more urgent. But as it turns out, we’ve been grappling with synthetic media for much longer than you might think.

A bright, modern gallery space with wooden pillars and brick accents, featuring an exhibit on the history of synthetic media. In the foreground, a vintage wooden stereoscope and antique cameras sit on a curved white display table alongside black-and-white "spirit photography" from the 19th century. In the background, a large digital screen shows a modern AI-generated face transition, while several people—including a man in a blazer and students—stand nearby, looking at the displays and discussing the evolution of image manipulation.

The University Library is inviting the W&L community to join a special webinar hosted by the Virginia chapter of the Association of College and Research Libraries (VLACRL). This session offers a deep dive into the evolution of “fake” media and provides practical strategies for teaching students how to navigate it.


“What’s Really Real: Strategies for Teaching Critical Inquiry through the History of Synthetic Media”

  • When: Tuesday, March 17, 2026
  • Time: 11:00 AM – 12:15 PM
  • Where: Join via Zoom or attend the public screening in the Leyburn Library Gallery.

Why Attend?

The presenter, Oscar Keyes (Multimedia Teaching & Learning Librarian at VCU), specializes in the intersection of creative technologies and pedagogy. His approach moves beyond just “identifying AI” and looks at the broader history of how we’ve always used technology to alter reality—from 19th-century spirit photography to modern-day generative models.

What will be covered:

  • Historical Parallels: Understanding how previous “emerging technologies” (like the first cameras) challenged our sense of truth.
  • Classroom-Tested Activities: Strategies designed to deepen student understanding of how synthetic images are created.
  • Verification Skills: Practical methods for effectively verifying the authenticity of digital media in a classroom setting.

How to Participate

You have two options for joining the conversation on March 17:

  1. Join the Public Screening: The Library has reserved the Gallery in Leyburn Library for a public showing at 11:00 AM. This is a great opportunity to attend with colleagues and engage in the discussion in person.

  2. Join Virtually: If you can’t make it to Leyburn, you can register to attend virtually via Zoom.

Note: If you cannot attend live but are interested in the content, please register anyway to receive a link to the recording after the event.

Professional Audio Equipment Available for W&L Video Projects

High-quality audio is one of the most important elements of professional-looking video production. Whether you are recording a lecture, creating instructional content, producing interviews, or assigning video projects for your classes, clear and consistent sound makes a significant difference in how your and your students’ work is perceived and understood.

To support high quality academic video production across the Washington and Lee University community, the Harte Center offers a selection of professional audio equipment that faculty, staff, and students can request for use in their projects. These tools are well-suited for a wide range of recording environments and experience levels, helping elevate the production quality of your videos without requiring specialized audio expertise.

Available Audio Equipment

We currently maintain the following audio gear, all available for request:

Sennheiser Shotgun Microphones (8 available)

Shotgun microphones are ideal for capturing focused, high-quality dialogue while minimizing background noise. They are commonly used for interviews, lectures, and narrative-style video recordings where clean, directional audio is essential.

RODE Wireless GO II Microphone Sets (8 available)

These wireless systems provide a compact, wireless solution for recording clear audio without restricting movement. These are especially useful for presenters who need hands free, or for interviews or film scenes requiring audio capture from two speakers at the same time. They are well-suited for both indoor and outdoor recording scenarios.

Sennheiser Boom Pole Sets (8 available)

Our boom pole sets allow microphones to be positioned just out of frame, providing professional-quality sound capture while keeping the focus on the subject. Boom poles are commonly used in interviews, demonstrations, and film scenes.

Boom Pole Stands (8 available)

For situations where holding a boom pole is not practical, boom pole stands offer stable, hands-free microphone placement. These stands are particularly helpful for longer recordings, panel discussions, or static interview setups.

Audio-Technica Studio Monitor Headsets (8 available)

Monitoring audio during recording is critical to ensuring clean sound. Our studio monitor headsets allow you to listen in real time, catch issues early, and ensure consistent audio quality throughout your project.

Supporting Professional Academic Video Production

All of this equipment is available to support professional-looking video production projects for academics and students across the W&L community. To request audio equipment or learn more about availability and usage guidelines, please contact Senior Academic Technologist Brandon Bucy via email at bucyb@wlu.edu. We are happy to help you determine which tools best fit your project and ensure you have what you need for a successful recording.

Registration is now open for the 10-Day AI Bootcamp!

A wide horizontal banner image with a dark blue background featuring glowing circuit board patterns and snowflakes. On the left, a glowing laptop displays a brain icon and a toolbox with gears. Large white and blue text across the center reads: "THE PRE-HOLIDAY POWER-UP: UPGRADE YOUR AI TOOLKIT BEFORE WINTER BREAK (IN JUST 10 MINUTES/DAY!)". On the right, a desk calendar marked "DECEMBER" with a "10 MIN/DAY" timer sits next to a mug of cocoa and a decorated miniature Christmas tree.

Ready for round two of AI skill-building? Join the 10-Day AI Bootcamp: Claude Edition with Sybil Prince Nelson running December 8th-21st alongside Winter Academy.

What’s different from Fall? This bootcamp features Claude instead of ChatGPT, so you’ll explore:

  • Web search and real-time research
  • Document creation (artifacts)
  • Conversational depth and reasoning
  • Different strengths and approaches

Perfect for:

  • Repeaters: Compare Claude vs ChatGPT side-by-side
  • Newcomers: No prior AI experience needed!

The format: 10 minutes a day, 10 weekday prompts + 4 optional weekend bonuses. Earn stars, collect a digital badge at 8+.

Tracks for everyone: Faculty and staff versions of each prompt mean relevant, practical applications for your actual work.

Self-enroll here: https://wlu.instructure.com/enroll/E38KEW

Questions? Email sprincenelson@wlu.edu or stop by PLAI Lab office hours.

Let’s explore what makes Claude different—one prompt at a time!

⚠️ Reminder: Limited Poster Printing Capacity for Spring Spotlight

Faculty, as you plan your Spring Term projects, please be aware that the University Library has extremely limited capacity for printing academic posters. We anticipate that poster printing will be moved to another unit after this academic year, which further limits our ability to support widespread student poster sessions.

We strongly encourage you to consider alternative project formats that meet your learning goals and do not require large-format printing. For ideas on meaningful, creative alternatives to traditional final projects, please refer to this Padlet: 2026 Spring Spotlight Project Guide.

If, after careful consideration, you determine that poster printing is the only viable option for a class assignment presented at an on-campus student session, please adhere strictly to the following guidelines:

Essential Guidelines & Strict Limits

Faculty Pre-Approval Required: Faculty must contact Elizabeth Teaff  at least three weeks in advance of printing requests. Printing is scheduled on a first-come, first-served basis and availability is extremely limited.

Posters Due: The deadline for submitting posters for Spring Spotlight is 6 PM on 5/17.

Strict Limit: We can only print one poster per student (or student group) per course.

Final Prints Only: Only final versions will be printed, rough drafts will not be accepted.

Submission Format: Posters must be submitted as PDFs and sized at 30×42 inches. Upload submissions via the BOX link and include the student’s first and last name in the file name.

You can find more detailed submission information and design tips here: https://bit.ly/3JH7AzA.

A Helpful Guide to Writing AI Image Prompts

If you’ve used AI image generators like Gemini, ChatGPT, or Microsoft Copilot, you know that the quality of your result often depends on the quality of your prompt. It can sometimes be tricky to describe exactly what you’re imagining.

To help with this, we’d like to share the Text-to-Image Prompting Quick Guide. It’s a new, simple resource designed to help you build more effective and detailed prompts.

The guide breaks the process down into six key components to consider:

  • Subject
  • Setting
  • Mood & Lighting
  • Style
  • Framing
  • Context

The tool is flexible, whether you have a few minutes or want to learn the fundamentals. You can:

  • 📚 Learn the Framework: Read through each component section to understand the principles.
  • 🛠️ Use the Prompt Builder: Jump straight to the builder to quickly assemble a prompt based on the parts that matter to you.
  • 📊 Track Your Progress: For those interested, there are optional assessments to help you see how your skills improve.

Prompting is an iterative process, and this framework is designed to make that process a little easier. If you’re interested in refining your prompts, you can explore the guide at the link below.

Check out the Text-to-Image Prompting Quick Guide

(This guide also serves as one of my final projects for my graduate portfolio as I complete my master’s in instructional design. A lot of thought went into making it a useful and effective learning resource, and I’m excited to share it.)

Regurgitative AI: Why ChatGPT Won’t Kill Original Thought

A minimalist illustration of a human and a robot collaboratively assembling a light bulb. The human holds the left half of the bulb, while the robot holds the right half, which is shaped like a gear. The image symbolizes the partnership between human creativity and artificial intelligence, set against a bright orange background.

In her compelling new article, Regurgitative AI: Why ChatGPT Won’t Kill Original Thought, Dr. Sybil Prince Nelson explores the nuanced role of generative AI in higher education—challenging the widespread fear that tools like ChatGPT will replace human creativity. Drawing on her dual expertise as both a mathematician and a novelist, Nelson argues that while AI excels at remixing existing ideas, it cannot originate truly novel thought. That distinction, she contends, is where educators and students continue to shine.

Key Highlights:

  • AI as a remix artist: Nelson compares ChatGPT to a DJ like Girl Talk—brilliant at blending familiar tracks into something fresh, yet incapable of composing an original symphony from silence.
  • Limits of AI creativity: Through examples from fiction writing, statistical coding, and even brainstorming sessions, she demonstrates how AI often narrows rather than expands the range of ideas. 
  • Pedagogical strategies: Nelson provides five actionable methods for faculty, including requiring students to document their AI prompts, reflect on tool influence, and redesign assignments to emphasize personal voice, ethical judgment, and iterative thinking—areas AI cannot replicate.
  • Hope for the college essay: Despite AI’s ability to generate polished prose, Nelson affirms that the authentic process of writing—grappling with ideas, revising drafts, and expressing individual perspective—remains irreplaceable.

This thoughtful, research-informed article is a must-read for anyone rethinking assignment design in the age of AI. 

Read the full article on Faculty Focus!

Announcing Tech-knowledge-y Thursdays!

Tech-knowledge-y Thursday, Oct 2-Dec 4, Leyburn M11

Join Senior Academic Technologists Brandon Bucy and Helen MacDermott for bite-sized training sessions designed to boost your tech confidence and efficiency.

Each week, we’ll spotlight one tool, tip, or feature from platforms you use every day—like: Canvas, Qualtrics, Word, Adobe Acrobat, Adobe Express …and more!

💡 What to Expect:

  • A single, focused tip or feature
  • Live demo and walkthrough
  • Time for questions and discussion

Whether you’re streamlining workflows or discovering hidden features, these short sessions are designed to fit your schedule and elevate your tech game.

Want to suggest a future topic? Contact hartecenter@wlu.edu.